Luciana Rossio is the romantic moniker of Californian native Jennifer, whose paintings play with inviting colours and intriguing texture to create imaginative pieces that capture attention instantaneously.
Certainly a hidden gem of Instagram’s art community, Luciana’s feed is like diving head first into melting ice cream and never wanting to resurface.
Tell us a bit about who you are, where you're from, and how you first started becoming interested in creating art;
My name is Jennifer Roos & I create art under the name Luciana Rossio. I am originally from the desert in southern California, but have lived many different places as an adult including Southeast Asia. I'm currently living right outside of Washington, DC. I have created art & have been designing things since I was a child. As an adult I spent a lot of my time designing & working creatively in the fashion industry. When I moved to Southeast Asia I became quite bored creatively, So I decided it was time to paint again. And that was when Luciana Rossio was born.
What do you like to think about when creating your paintings? Describe your creative process;
My creative process is different every time. Travel is a huge inspiration for me & a great way to clear my mind. Color is also a huge inspiration for me. I often have more of an idea of the colors I want to use & just let the painting take shape as I start to paint the canvas. I also am very inspired by music & poetry, sometimes a painting is born just by a few lines in a song.
What are some of the main themes and ideas you try to convey with your work?
I think that art should be translated by the person enjoying it. I often hesitate to title work because I feel sometimes it takes away from the experience. For the most part I hope people feel something when looking at my art that in some way helps them or inspires them.
Who are some of the artists you look up to and are most inspired by?
Joan Mitchell, Vanessa Prager, Xu Zhen, Vincencia Blount
What are your hopes for the future with your artwork?
I hope to continue to make art that people enjoy, to spread love & inspire others.
Where functionality, craftsmanship and original design meet, you will find Marisa Mu's vibrant and mesmerising bags and clutches. The thoughtful Sydney-based designer packs careful handiwork and unique technique into each item, using a studio-based process to create each 100% Italian cowhide piece. Having collaborated with a number of creatives and working in Melbourne Fashion Week, Marisa's journey is one to pay close attention to.
Tell us about your background in design and how you first became inspired to start your line;
I always knew I wanted to be an artist when I was a little girl but wasn't sure what creative direction I would eventually undertake. After finishing high school, I was adamant I wanted to be working within the textiles industry and after studying a degree within Design at COFA - my love for pattern design and working with the tactile quality of leather became a true obsession. That was a turning point for me when I made the connection between the love I have for colourful abstract patterning and the unique nature of leather skin. Playing with colours and textures and the changing nature of leather is what inspired me to undergo my current practice of creating unique colourful leather goods that are proudly Australian-made. I also knew from a young age that I was not going to be the type of person that could live a life of routine where I worked in an office doing the 9-5 for the next 40 or so years. Starting my creative practice enabled me to channel my energies into something that was giving me a sense of purpose and fed my creative soul and sanity. I see creativity and art as a therapeutic practice for me and I have overcome plenty of personal hardships because I turned to what I love most - creating art. I believe too many of us don't take that leap of committing to do something for ourselves - that is the core underlying reason behind why I decided to just bite the bullet and start my own line.
Your designs are quite a playful take on elements like shape, texture and colour - tell us about your creative process, and how your designs manifest;
My creative process is very organic and revolves predominantly around colour. The power of colour and the way in which hues and contrasting colours create an abstract wonderland is what I strive to achieve within my work. I chase the feeling of knowing I have created a wonderful colour combination and then allow the colours to bleed within one another and create their own special story. Working with leather is amazing as the skin itself had its own story - a past life that is now undergoing the process of becoming recreated and then forwarded to a new forever home. I use premium Italian cowhide and the beautiful textures make for a perfect contrasting canvas for the fluid aesthetic of the patterns. It is about creating sentimental pieces that hold layers of beauty and wonder.
Is there a specific piece from your collection that is your own personal favourite?
I go through phases and each design has held title of 'favourite' at some point. I am currently in the 'Smokey Camo' phase as the colours are a bit more muted from the usual bright and bold patterns. It's understated but still very much a statement piece. I will be releasing this pattern as a Bucket Bag style by the end of the week which is very exciting!
You place a particular emphasis on functionality and practicality as well as style in your products; tell us about your vision to incorporate both aspects in your work;
Leather goods are seen as a long lasting investment. They stand the test of time due to the tactile and durable quality of being a skin - the colourful artworks are a reflection of how I perceive what is around me - colourful beauty. I want to implement my love for colour and pattern with simple silhouettes and bags that hold your daily essentials. I want to keep the bags simple and to not be excessive - it is about being a canvas for the artworks that we integrate within our daily lives. I strive to create long lasting works of art that we choose to carry with us. Something that brightens our days but also hold a key role of protecting and holding our valuables. It is a simple vision but a deeply soulful one.
If your label was a song - which song would it be?
It would be 'True Colours' by Kasey Chambers. I believe the spirit of my brand revolves around being someone that is individual, strong minded and colourful. I want my brand to be an embodiment of who I am and to empower others to be a statement maker within their everyday. To show your true colours, and to not be afraid to do so.
Multidisciplinary artist Brook Andrew's The Right To Offend Is Sacred is an exploration of many of his new and majorly significant past sculptural works, responses to issues of racial identity politics in a voice that speaks for the marginalised many. His use of neon lights in particular draws strange and haunting parallels to what one would imagine a Vegas strip to be - the incongruity of this (both literally and figuratively) flashy medium matched with the sombreness of his message is both sharp and sobering; the resulting atmosphere is one that I recommend should be experienced alone. Take your time walking through this exhibition, past the newspaper clippings, old magazines and collages, the portraits and larger-than-life sculptures, and pay close attention to the stories being told before you.
The concept for this shoot was born out of a desire to capture the very unique relationship I have with Paul - we are two individuals who are often either exactly the same, or polar opposites. At the risk of this sounding too much like a stars-in-my-eyes love letter, I wanted to visually explore the ways our personas both overlap and balance each other out. Wilson's trademark desaturated, minimalistic palette was something that complemented this idea immensely, in that - in combination with his brand of subtle yet effective styling - our true characters were able to take centre stage in these stunning images. Included in this photo set are some bonus images of myself in London, where Wilson and I had the good fortune to meet up and check out the Tate Modern's newest building on it's first day of being open - the Switch House. It is thanks to both Wilson's consistent stylistic choices as a photographer, as well as the intriguing similarity of Melbourne and London as cities, that it becomes near indistinguishable which photos are from which shoot.
Enjoy Duality x